Sitaare Zameen Par opens with a quietly telling moment. Sunil (Ashish Pendse), an intellectually challenged boy, looks at Gulshan (Aamir Khan) and wonders aloud if he’s really a basketball coach. After all, he’s too short.
From the very first scene, the film sets up its core idea: being “normal” is not a fixed line but a shifting idea—something deeply personal to each of us.
Directed by RS Prasanna, this official remake of the Spanish film Champions is being seen as a spiritual cousin to Taare Zameen Par (2007). While it doesn’t reach the same emotional depth or insight, the film wears its message on its sleeve, almost as if worried the audience won’t grasp it otherwise.
Yet what makes the film stand out is its refusal to turn into a loud, manipulative tearjerker. The film finds power in small, tender moments.
It avoids the crude humour and overblown melodrama that plague so many recent Hindi films. Its laughter comes from innocence, not innuendo, reminding us that joy can be rooted in genuine human connection.
Then there are the boys who make up Gulshan’s team. Aroush Datta, Gopi Krishnan Varma, Vedant Sharmaa, Naman Misra, Rishi Shahani, Rishabh Jain, Ashish Pendse, Samvit Desai, and Simran Mangeshkar bring an unpolished, earnest charm that lights up the screen.
Watching them joke, stumble, compete, and dream gives the film a beating heart that many formula-driven films sorely lack.
This isn’t a film that demands our attention with dramatic highs or shocking twists. It earns it, softly. It asks you to sit with it, to watch and breathe in its gentle rhythms.
This is a film that chooses to speak gently. This is not a perfect film, but it succeeds in generating a heartfelt experience.
It has a genuine emotion that is best experienced in the company of strangers who, for two hours, become companions in empathy. And perhaps that’s a lesson best absorbed together, in a theatre, where our laughter and empathy can echo beyond the screen.
Because some stories are meant to be shared. When we laugh in unison at a small joke or sit together in silence and realise the strength of cinema—to make us feel less alone. In a dark hall, every awkward confession, every burst of innocent laughter, every quiet smile feels larger and somehow more profound.
Shared joy has always been one of cinema’s greatest gifts.
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Dipankar Sarkar is a film critic who contributes to different publications- both national and international. He is a Research Fellowship from the NFAI, Pune, India, and was one of the panelists for the selection of world cinema at the 27th International Film Festival of Kerala in 2022.